Original Horror Shirts

FRANKENSTEIN VS. THE MUMMY coming to DVD im February

by Seth Metoyer

Just when you thought it was safe to walk the streets, RLJE/Image Entertainment will be releasing FRANKENSTEIN VS. THE MUMMY on DVD on February 10th.

Check out the details and synopsis below.

From the official Details

CAST: Ashton Leigh, Brandon DeSpain, Constantin Tripes, Max Rhyser, Robert MacNaughton

WRITER: Damien Leone

DIRECTOR: Damien Leone

SYNOPSIS: Dr. Victor Frankenstein and Egyptologist Naihla Khalil are both professors at a leading medical university. Victor’s latest grisly “experiment” is the re-animated corpse of a sadistic madman and Naihla’s most recent find is the cursed mummy of an evil pharaoh. When the two monsters face-off in an epic showdown, no one is safe from the slaughter. Can the murderous rampage be stopped and the carnage contained before it’s too late?

Banshee Chapter (2013) review

Banshee ChapterReviewed by Kevin Scott

Banshee Chapter (2013)
Written by: Blair Erickson, Daniel J. Healy
Directed by: Bair Erickson
Cast: Katia Winter (Ann Roland), Ted Levine (Thomas Blackburn), Michael McMillian (James Hirsch), Jenny Gabrielle (Callie), Vivian Nesbitt (Olivia Kmiec)

“Banshee Chapter” exemplifies the phrase “Still Waters Run Deep”. The poster art lends to either some “Hellraiser” action with some skinned twisted Epicureans or it’s some sort of anatomical horror indie flick. I dunno. After writing a good many reviews by now, I always notice patterns about the things that I mention repeatedly. I realized that I’m a sucker for good poster art. That all too critical first impression that hooks you. “Banshee Chapter” ended up being nothing of what I thought it would be.
The opener shows a montage of legit footage about government mind control experiments. One in particular has been dubbed “Project MKUltra”. What singles this one out is so called encounters that subjects had with ghastly otherworldly creatures.

What’s even more curious is that they all called the creatures the same thing, even when the test subjects had no contact with one another after or before the experimentation. This merits some investigation and peaks the curiosity of James, an iconoclastic young freelance investigative reporter that thinks there is something way more sinister going on than meets the eye. He gets the drug, called DMT-19 that was used in the MKUltra experiments, and takes it while his friend documents the results on camera. Unfortunately, the last image of James that’s seen is his disfigured face over the last shot of the film footage. Shortly thereafter his friend disappears after being questioned by the police.

Book Review: ‘The Evil Inside’ (2014) by Philip Taffs

The Evil InsideReviewed by Jesse Miller

THE EVIL INSIDE, the debut novel by Australian author Philip Taffs, is a nasty little psychological horror novel with an intriguing mystery at its core that starts to test the sanity of its good-natured protagonist.

After tragic circumstances, Guy Russell and his family swap the location of Melbourne, Australia for Manhattan, New York in order to change the scenery and jumpstart their life together – not only for his marriage but for the benefit of their young son Callum.

But all is not well! Tension is simmering between Guy and his wife Mia and something particularly sinister from Guy’s past threatens to infect his life and worse – infect his young son.

The first thing about THE EVIL INSIDE that stood out to me was the prose of the piece. It isn’t in love with its own words or trying to impress its audience with what it believes to be fancy – no, its prose is rather simple and effective. Which is excellent, I think, because Guy Russell is just your ordinary man and so his way of thinking and the way Taffs paints his world, his thoughts and the dialogue within is quite appealing.

The second thing about this novel that stood out to me was that it was striving for the slow-burning psychological horror, which just so happens to be my favourite sort of horror.

The world of Guy Russell – his relationship with his wife, his stressful job and his increasingly distant son Callum – takes its time unfolding, letting slow scenes speak volumes and letting a line of dialogue here or there reverberate in your mind long after the scene has passed. Taffs skilfully builds suspense even in the quieter cenes, showcasing even in his debut novel that he has a gift for slow burning psychological horror.

First behind the scenes photos from horror film MASSACRE release

MASSACREby Seth Metoyer

The first photos from the horror flick MASSACRE have released. The film features members of Billy Idol, Samhain, Marilyn Manson and more. Check out the details and some behind the scenes images below.

From The Press Release:
MASSACRE, a bloody horror short from DEATHAUS FILMS recently completed shooting this past December. The film features rockstar cameos galore, with the two male leads being played by LONDON MAY (Samhain) , and BILLY MORRISON (Billy Idol,The Cult). But if two rockstars wasn’t enough, the film also features a brief guest appearance by JEORDIE WHITE (Marilyn Manson) as a Street Detective, ROB PATTERSON (Korn, Filter, Otep) as a police officer and JEFF HILLIARD (‘The Good life’) as a criminal.

Directed by award-winning director ERIK BOCCIO (Pussy Riot’s ‘Putin Lights Up the Fires’ video/ prolific funnyordie.com Director under the moniker ‘Weird Fellas’), produced by Damian Lea (Cemetery Gates) and New Zealand-born writer, actress and Suicide Girl, PANDIE SUICIDE (Ditch Day Massacre, David Lynch’s “Crazy Clown Time”), the film centers around Marianne James, a girl who wakes up at the site of a bloody mass murder and can’t remember what happened.

The lead roles see quite a departure in looks and roles for some of the actors with heavily tattooed PANDIE SUICIDE and BILLY MORRISON playing much more conservative looking characters, and the former almost unrecognizable in blonde locks. LONDON MAY also has a bit of a change from his usual black and sometimes bloody get up in post-Misfits/ pre-Danzig punk rock outfit SAMHAIN as the hardened Detective, but fear not, there will definitely be blood aplenty for the slasher fans in this bloody little flick.

Recap of 'Without Your Head Horror Radio' Interview with 'A Serbian Film' director Srdjan Spasojevic

Without Your Head Serbian
by Vic Schiavone

Without Your Head Horror Radio hosts Nasty Neal and Annabelle Lecter welcomed Serbian filmmaker Srdjan Spasojevic to WYH Horror Radio for a rare hour-long interview on March 13, 2014 . Srdjan is best known as the director of the controversial movie A Serbian Film (review).

Highlights included the following:

• NN: In the early stages of “A Serbian Film”, was it always the intent that the movie would be a metaphor for life and art in Serbia, or did you just want to make a movie?

SS: “For me, it’s let’s make a movie. I was never much of an analyst or a critic or reviewer guy. I’m trying to make a film, and to say or just to incorporate my feelings inside it. So it’s on other people, people who are analysts or movie critics, to talk about that. For me, the beginning was let’s make a movie. It was six years ago when we started to talk about that idea and that film. As I can remember, maybe the first thing that was mentioned was ‘man trapped into the hell of the underground illegal porn industry’. That would probably be my view of the world around me; the whole world that I’m living in. My first intention was really to incorporate my deepest and honest feelings that I have toward the world that I live in and to make the best film that I can. After that, probably when the work concretely starts, lots and lots of other themes are starting to be added and incorporated in the film also.”

• AL: Did the depth of this film, for it obviously had a very deep meaning with so much symbolism, grow to this level where you became more attached?

SS: “I was aware, of course, but I didn’t think about it that much. Sometimes it happens that I listen to some analyst talking about my film and I say, ‘Wow, it’s really there!’, but I didn’t realize it. In my defense, I approach a film instinctively and emotionally. So, those things could happen. As I said, I’m not much of an analyst; talking about what did you want to say, what were your intentions, or things like that. It’s not always easy.”

New 'Fear Clinic' clip asks, what frightens you?

Fear Clinic by Seth Metoyer

What frightens you? The darkness? Ghosts in the closet, demons in the hallway? How about masks? This new clip from the upcoming film Fear Clinic starring Robert England (and introducing Corey Taylor of Slipknot in his acting debut) poses that very question.

Check out the clip below the official details and be sure to face your fears when the film releases on Blu-ray and DVD February 10th.

From the Press Release:
After terrifying audiences from coast to coast – Closing Night Event at ScreamFest 2014 Los Angeles and Opening Night Screening at 2014 New York City Horror Film Festival – Fear Clinic, the latest excursion into unrelenting terror will be released on Blu-ray™ and DVD on February 10, 2015 by Anchor Bay Entertainment. The highly anticipated shocker stars horror icon Robert “Freddy Krueger” Englund, Fiona Dourif, Angelina Armani, Thomas Dekker, as well as Stone Sour and Slipknot lead vocalist Corey Taylor in his acting debut, and is directed by Robert G. Hall (Lightning Bug, Laid to Rest, ChromeSkull: Laid To Rest II).

With blood-chilling special effects by award-winning FX creators Robert Kurtzman and Steve Johnson, Fear Clinic will take viewers on an unforgettable journey into the very soul of terror itself.

Co-written by Hall and Aaron Drane, the film is based on the critically acclaimed and fan favorite 2009 FEARnet.com series. When trauma-induced phobias begin to re-emerge in five survivors a year after their horrifying tragedy, they return to the “Fear Clinic,” hoping to find the answers they need to get cured.

'Blood for Irina' and 'Queen of Blood' review

Queen of BloodReviewed by Jonathan Weichsel

Blood for Irina and Queen of Blood are a pair of experimental art-horror films directed by Chris Alexander, the editor in Chief of Fangoria. Before I watched them, Chris Alexander told me that he considers both films part of the same movie, which is why I am reviewing them together.

Blood For Irina:
Blood For Irina is an experimental film shot entirely without dialogue that follows the exploits of a vampire named Irena as she haunts the streets late at night and lures victims back to a seedy motel where she sucks their blood. The themes of the film, which include lust, longing, and death are expressed through sad but beautiful imagery of a decaying town, a decaying motel, a decaying vampire, and her decaying compatriots, all of whom seem to be longing for some sort of rejuvenation.

Without any dialogue, and with only the barest thread of a plot, Blood For Irina is a film that is driven completely by its imagery, and this is both the film's greatest strength, because it's what makes the film unique, as well as its greatest weakness. The repetitiveness of the imagery gives the film a hypnotic, nightmarish quality, which seems to be the film's intent. And this is fine, except that at times the film also seems intent on lulling the viewer to sleep, and to be honest I found myself nodding off a couple of times while watching.

Although Blood For Irina requires active viewing in order to follow it, the imagery that drives the film doesn't necessarily give the viewer enough to warrant remaining active. For example, while I was engaged while watching Irena stalk the streets, and I found her relationship with the hotel manager interesting, at other times I was like, "Oh. Here is a pretty picture of a shower nozzle. And here is a pretty picture of a shower knob. Snore..."

While I am all for symbolism, much of the symbolism in Blood for Irina is so heavy handed and obvious that it precludes thought on the part of the viewer. For example, there are frequent shots of an exit sign in the film, that usually occur when the film deals with the themes of dying or death. It's like, "I get it, I get it. 'Exit' means dying. They are exiting the world. OK. OK."

Blood for Irina is a beautifully shot movie and there is some pleasure to be found in its hypnotic quality. Telling a horror story without dialogue is an interesting experiment, and director Chris Alexander truly understands the horror genre. However, viewers' interest in the movie will be directly related not to their interest in horror, but to their interest in experimental film.

Mercy (2014) review

MercyReviewed by Kevin Scott

Mercy (2014)
Written by: Matt Greenberg, Stephen King (Short Story)
Directed by: Peter Cornwell
Cast: Chandler Riggs (George), Dylan McDermott (Jim Swann), Mark Duplass (Uncle Lanning), Francess O’Connor (Rebecca), Joel Courtney (Buddy), Hana Hayes (Girl Next Door), Amanda Walsh (Charlotte), Chris Browning (Frank), Shirley Knight (Mercy)

If you notice from the credits, “Mercy” is a feature length film that is based on a short story from the modern day master of horror himself, Stephen King. In my humble opinion, I don’t think that Stephen King is one of those guys who you either love or hate. Regardless, of whether you judge him exclusively within the horror genre or when films based on his work crossed out of horror, such as “The Green Mile”. There is something from Stephen King for everyone, and at least one of the many things he wrote that resonates passionately to every member of every walk of life either on the page, or on the screen. It may sound like I’m a King super fan. I definitely like him. I don’t like most of his TV miniseries, but I dig most of his film adaptations on different levels. I’m even talking about Maximum Overdrive that shines as a 1970’s B car horror movie that somehow got stuck in the 1980’s.

“Mercy” is a bit of a different King adaptation. I have a soft spot for tales of the line between good and evil being crossed in places like Appalachia. Rural, God fearing people who can quote Scripture, but somehow dip their toe into a swirling sinister pool of iniquity with the sins revisiting them or their posterity. This is also a coming of age drama with a very recognizable face in the lead role. Chandler Riggs is George. He’s a good kid with a good heart, but he’s trying to find his place, and has the usual problems, like getting bullied. His mom is a single mother, and it’s just him, her and his older brother. He finds a kindred spirit in his maternal grandmother. She’s a tough old bird that lost her husband early and raised three kids by herself. When she falls ill, his family moves in with her to care for her. It’s a homecoming for his mother, as she is still wooed by an old flame played by Dylan McDermott. He’s married, but stays on the safe side of some pretty heavy flirting. It’s obvious that he still carries a torch for her. George’s mom’s sister is institutionalized, and her ne’er do well brother is a wild card of fluctuating reliability. He is good for some information about Mercy. She did not want her children to leave her, even when they reached adulthood. Strange occurrences would randomly occur to keep them there. Only George’s Mom left for a stint in the Army. As Mercy gets sicker, she falls into a catatonic state, and almost seems to be possessed by something.

Mr. Hush (2011) review

Mr HushReviewed by Kevin Scott

Mr. Hush (2011)
Written by: David Lee Madison
Directed by: David Lee Madison
Cast: Brad Loree (Holland Taylor), Edward X. Young (Mr. Hush), Stephen Geoffreys (Stark), Steve Dash (Mac), Jessica Cameron (Julie), Connie Giordano (Debbie)

I don’t want to reveal my hand to early on this one, but then again you guys probably know by now that I don’t rip into any film to tear it to shreds. Typically, it’s for two reasons. I see what they were trying to do with a limited budget. The heart is there, but the money ain’t. Also, I’ve had to double back on my opinions of films on the first watch. Hating it in the beginning, and then seeing something or things on another viewing that shows me that I had a gross error in judgment. Well, “Mr. Hush” puts me into a purgatory of indecision.

I gotta say that this is a neat little movie if you look at all the nostalgic horror references that are there just for the fun of it, and some familiar faces from legendary horror classics that make up the supporting cast. Stephen Geoffreys, who stands undisputed as an unforgettable part of the original “Fright Night” is part of the cast. He plays a Renfield like character named Stark. See the parallels that I’m talking about so far. His character’s name is Stark. He’s the vampire’s henchman. A character that was played by Jonathan Stark in “Fright Night”.

You probably got the gist that this is a vampire flick. It begins with the main character Holland Price. His name is a mash up of “Fright Night” director Tom Holland and Vincent Price. I could do this all day. Anyway, he is a consummate family man with a wife and daughter, living the dream in domesticated bliss. All that changes when a mysterious stranger comes to the door dressed as a priest. He says that he has car trouble. Holland lets him in, and tragedy ensues. Flash forward to the future, Holland is a very different man.

Exclusive Interview with The Fiancé director Mark Michaels

The FianceBy Jonathan Weichsel

I recently reached out to Mark Michaels, director of the upcoming and buzzed about Bigfoot feature The Fiancé, to ask him about the making of the film. To say the least, his answers have me very excited to see the movie. You can read our discussion here:

JW: I know nothing about The Fiancé except that it is a crime drama with Bigfoot in it, which to be honest is pretty unique. Tell me a little about the film.

MM: There is a crime drama element to it, but it’s not Sasquatch making offers people can’t refuse or anything like that – he’s still in the forest as a wild creature, as usual. What makes him different is that he’s infected and very aggressive. His virus is contagious. The criminal activity aspect of the movie is revealed in flashbacks, and as the two stories converge – our protagonist Michael (Dallas Veldez) in the woodsy cabin, and then Michael dealing with the Russian mob in the city – the viewer will see how it all comes together in the end.

JW: How did you come up with the idea? Did it take a lot of time to hash out the story and write the script?

MM: It was a late night and I couldn't sleep - I tuned to a radio station discussing Bigfoot - Then they played some recorded sounds of Bigfoot – one in particular made my hair stand on end - the next morning, I rolled out of bed and started writing . Six weeks later, the script was locked and we were ready to shoot.

JW: After the shoot, there seemed to be a lot of excitement over this project from the people involved. What was it that made this shoot such a special experience?

MM: Yes! Our twitter page was blowing up (@TheFianceMovie) and our cast and crew really enjoyed the attention. To answer your question, we began with a tight script, and then we mixed in some excellent casting, added some fantastic locations, and shook the whole concoction with creative camera work and a ‘look’ all its own - I believe the result is an impressive unique cocktail; I liken it to horror noir. Of course, that will be up to audiences to decide, but I can’t wait for the reaction when we unleash the film!

Jared Masters 'Ballet of Blood' AKA 'Ballerina Massacre' brings the blood

Ballet of BloodCheck out the exciting info below about Jared Masters upcoming film Ballet of Blood (AKA Ballerina Massacre). Oh yes, there will be blood!

From The Press Release:

Once in a great while, a motion picture is made that stirs you to your emotional core, inflicts jarring curiosities of the novelties unknown. Visionary sensationalist Jared Masters is doing just that. He’s currently conducting an American ballet … of bloodshed, in…. Ballet of Blood AKA Ballerina Massacre. A bone cracking psychological exploration in classical dance and delusion. See what happens when a wild ballerina breaks loose from an asylum, after a fellow ballerina blows her top from years of torment. A spectacular fall and rise of someone so sincere they murder innocent young women in cold blood.

Starring in this picture, the partners in crime… Sydney Raye, the Cinematic Jewel of the Sea, and Jessica Knopf, the clawing kitten that wont be kept in a cage, but will rage a war of carnage on a sound stage someone will have to clean up, in Hollywood!

The film co-stars Laura Amelia as dance teacher, Delphine, who beleives "bones are beautiful, curves are not." And, Julia Faye West as prima ballerina, Sylvie. The film also features Mindy Robinson, Walter Hochbrueckner, Bouvier, Vera R. Taylor, Rubi Garcia, Marla Martinez, Jacqueline Marie Alberto, Dawna Lee Heising, Dallas Chandler, Krystall Schott. Sound by Jonathan Weichsel. Cinematography by John Gonatos. Written and Directed by Jared Masters. Expected Halloween 2015.

Exclusive: 'Another Bleeding Love Story' starts principal photography

Another Bleeding Love Story
Another Bleeding Love Story, the quirky serial killer love story that Jesus approves of, started production in Baltimore, MD, in early January. A joint production between Austin Sheeley and MOnsterworks66’s Maria Olsen, this horrifically hilarious tale follows two young serial killers, Lily and Lucas, as they negotiate the arduous tasks of living and killing in modern society.

Lucas, played by Sheeley, is a Mommy’s Boy with Mommy Issues thanks to, and this isn’t a wild guess, his mommy, Catherine (Olsen Starry Eyes, Another, Vile, The Haunting of Whaley House). Now he’s decided to take his issues out on every middle aged woman he can get his hands – and his knife – on, but everything’s ok as Jesus has literally given him the “thumbs up” for the killings.

While divinely inspired to rid the world of these women, Lucas encounters Lily, a sociopathic teacher, whose main goal in life is to help suicidal folk achieve their dreams...the dreams where they die, that is... Lily is played by Kirsten Moore-Sheeley, which means that Austin’s real wife will be becoming his reel partner!

Lucas has now one aim in life: to figure out how to get rid of Mommy Catherine so he can settle down with the love of his life, Lily, and they can continue killing ever after. But maybe he should have asked Lily how she felt about this before doing anything drastic...oh well, too late!

Another Bleeding Love Story is cutting and caustic, ferocious and funny and will appeal to viewers who like their quirky, edgy comedies with a dash of serial killer on the side.

The Den (2013) review

The Den 2013Reviewed by Jennica Lynn Johnson

As a teenager, being able to watch torture porn without vomiting was an achievement that was held in high regards. My friends and I would frequently visit sites such as Rotten.com to seek out the latest photos of disturbing bodily injuries; we would scour the internet for the Two-Girls-One-Cup video and the Mr. Hands video. It was like a mature version of truth-or-dare; an extreme gross-out game.

After viewing numerous photos and videos of this nature, however, it is easy to become desensitized to the gore and violence and forget that not all of the people in the images are acting. The naive assumption that the brutality witnessed on the internet must be staged is one of the many issues of the 21st century that is addressed in The Den (2013).

In his feature film debut as both a screenwriter and director, Zachary Donohue tells the story of Elizabeth (Melanie Papalia), a graduate student who is working from the comfort of her home to study the behavior of users on a popular video chat website called The Den. Elizabeth engages in several brief yet quite amusing conversations until she stumbles upon a not-so-chatty user who appears to commit a bloody murder on camera. As she attempts to convince the police to investigate the case and convince her family and friends that what she witnessed was real, one by one, everyone around her begins to disappear.

The Den shows just how accustomed we are to brutality in our daily lives-- be it on the internet, in movies, or on TV-- that when an actual crime occurs right before our eyes, we don't even flinch; we dismiss it and we fail to react.

'Starry Eyes' (2014) review

Starry Eyes DVD CoverReviewed by Robert J. Thompson II

I wasn't sure what to expect, putting this film in. Seth, the gent who runs MoreHorror, simply asked, “would you like to review Starry Eyes?” – what he really asked was, “would you like a free movie?” – of course, I'm going to say “yes”. So, today there's a knock at the door, and an envelope sitting on my deck, and this evening, I pop it in.

And this is just terrible. Terrible, I tell you. Terrible that I had to wait until 2015, to see one of the best films of 2014. No, not one of the best horror films. One of the best films. Now, I'm a man who loves his mainstream films, so when you ask what my favorites of 2014 were, movies like “Guardians of the Galaxy”, “Gone Girl”, and “The Winter Soldier” are going to be at the top. “Starry Eyes” has easily made my Top 10, and quite possibly my Top 5, for the year.

I loved Starry Eyes so much, that I will not give a full, spoiler-filled review, here. I simply can't ruin it, when I hear you should be able to see it early in February for yourselves. Instead, what I'm going to do, is spend this review telling you why it's worth your money. Please, someone let me know where I can send my $22, and I'll gladly reimburse for this copy. I may watch it again, tonight, before I sleep. Or this morning? I think it's morning, actually.

Let me start with the overall 'look' of the film. It's beautifully shot. Almost all the right choices were made, on a visual level. A couple of the edits were a bit jarring, but I'm certain they were intended to be. The film that comes immediately to mind is Darren Aronofsky's “Black Swan”. Not because it mimics it, but because it's just so damn gorgeous. And yes, I'm saying the Directors delivered on an Aronofsky level. Bravo.

The script, next. It's not overly complex, by any means. The story follows an aspiring actress, with anxiety issues, as she tries to land the dream role that will inevitably open up doors. What she doesn't realize is that, to succeed in this industry, you sometimes have to be willing to do more than you would like too. The script itself brought to mind another personal favorite, “The Devil's Advocate”. Except less exposition. Which was more than fine.

'Play Hooky' movie review

Play HookyBy Jonathan Weichsel

I have written in the past about my absolute hatred of found footage movies. Hating found footage movies creates a dilemma for me when I am asked to review one, because as a critic it is a part of my job to remain impartial, but I am not impartial. To say I am not impartial however, is not the same thing as to say that I am prejudiced. Prejudice is based on an irrational feeling, and there are many very rational reasons that I hate found footage movies. For the sake of brevity, I will just focus on one of these reasons in this review: Nothing ever fucking happens in found footage movies.

Although Play Hooky is listed as being seventy minutes long, it is actually a sixty minute long film with a ten minute after-credits sequence thrown in to pad the running time. During the majority of these sixty minutes, nothing fucking happens.

Play Hooky is a horror film about a group of teenagers who play hooky from school one day. One would think that such a premise would be rich in dramatic material that could be mined in order to create a compelling story. After all, playing hooky is a universal experience, something that we all have memories of. And there have been some great films made about students playing hooky. However, the majority of Play Hooky's running time is made up of the five students driving around aimlessly looking for a place to smoke weed.

Writer /director Frank S Petrilli does a very good job writing naturalistic dialogue, and the actors all give very realistic performances. The behavior of the students is more or less true to life, despite the fact that I've never met a high school student whose car has leather seats. But this doesn't change the fact that watching kids drive around looking for a place to smoke weed is about as interesting as watching paint dry. There is no dramatic conflict to speak of during this section of the film. There are no stakes. The characters aren't particularly likeable. They aren't unlikable. There is no reason given to become invested in any of them in any way.


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Lost Boys: The Thirst Review
Near Dark (1987) Review
The Human Centipede Review
Thirst (2009) Review
Night School (1981) Review
Night of The Demons (Remake) Review
The Splat Pack Review
The Maid Review
Hatchet II Review
The Last Exorcism Review
Victim Review
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Bloody New Year Review
Black Christmas (1974) Review
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The Art of Hammer Review (Book)
Doghouse Review
The Blair Witch Project Review
Horror Movie Freak Review (Book)
Lake Placid 3 Review
Paranormal Activity Review
Sella Turcica Review
The House of The Devil Review
UNDEAD Review (Novel)
The Woman In Black Review
Ghost Story Review
Eraserhead Review
Day of The Dead Review
The Woman Review
Night Of The Living Dead Review
Terror at Red Wolf Inn Review
The Theatre Bizarre Review
The Mortician Movie Review
Happy Birthday To Me Review
Mountaintop Motel Massacre Film Review
Frankenhooker Blu-Ray Review
The Necro Files Review
Donner Pass Review
Shark Night Review
Night Feeders Review
New Year's Evil Review
Never Sleep Again Review
Creature Review
Haunting at The Beacon Review
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Chromeskull Laid to Rest 2 Review
Devil's Rock Review
Fright Night (Remake) Review
Area 51 Review
Five Senses (comic) Review
Antropophagus Review
Lightning Bug Review
Never Feed the Troll Review
Alone in The Dark Review
Dead Alive Review
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Laid to Rest Review
The Beyond Review
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Splinter Review
Mirrors 2 Review
Mail Order Review
Snowtown Review
The Dead Review
The Shrine Review
Run Bitch Run Review
Mutilation Mile Review
The Howling Reborn Review
The Human Centipede 2 Review
The Walking Dead Review
The Echo Review
Dream House Review
Yellow Brick Road Review
Baby Blood Review
Halloween 3 Review
Feast Review
The Child's Eye Review
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Martyrs Review
Mothman Review
Wrong Turn 4 Review
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Red State Review
Paranormal Activity 3 Review
Deviling Review
Slugs Review
Nightmare on Elm Street 2 Review
Night of The Hunter Review
Pick Me Up Review
Hillside Cannibals Review
Friday the 13th (1980) Review
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The Thing (2011) Review
Night of The Vampire Review
Killer Review
Alyce Review
The Fog Review
Of Unknown Origin Review
The Revenant Review
Exit 33 Review
Rage of the Yeti Review
Let's Scare Jessica to Death Review
Territories Review
Blood Freak Review
Solstice Review
Blood Roses Review
The Haunting Review
Silent Night Deadly Night Review
Silent Night Deadly Night Review Review
Rare Exports Review
Ashes Review
Perfect Witness Review
Santa's Slay Review
Little Deaths Review
Lips of Blood Review
Bill Oberst Jr.
Silent Night Deadly Night 5 Review
Don't Let Him Review
Hell Driver Review