Fangoria Magazine Cover #291 and Details

The Wolfman, Freddy and Cabin Fever 2

Fangoria, Cover #291
FAST TRAIN TO “CRAZIES” TOWN There’s more insanity in store as we continue our exclusive location coverage.
“FROZEN” STIFFS Adam (“Hatchet”) Green relocates from the Louisiana swamps to a wintry mountainside for his new bone-chiller.

METHODS TO MADNESS Up-and-coming actor Noah Segan adopts multiple mental states in a string of new fright films, starting with “Cabin Fever 2.”
“DEMONS” DO-OVER The cast names are bigger in the “Night of the Demons” remake, and its makers hope the frights—and laughs—are too.

MABERRY SCARE YOU? Writing of zombies, wolfmen and more, Jonathan Maberry is making quite the literary splash.
STALKING THE “SLITHIS” It lurked in the waterways of LA but terrorized drive-ins nationwide in the late 1970s.
THE “WOLFMAN” PACK Benicio Del Toro et al. talk up their roles in the megabudget monster movie.

FEARnet Talks Horror with Scorsese

Martin Scorseseby Joseph McCabe

It's not always easy to believe someone when they tell you they love many different genres of film. For how can any heart, no matter how big, adore experiences as disparate as that of the crime drama and the musical, or the romance and the horror film? With Martin Scorsese, however, nothing could be easier.

America's greatest living filmmaker makes no attempt to hide his limitless affection for movies, having worked in at least a dozen different film genres – and championed the preservation of many others – in a career that now spans six decades. His latest work, Shutter Island (based on the novel by Dennis Lehane), is at once a police procedural, a suspense thriller and a psychological drama. But a good portion of it is infused with the look and feel of the horror films of directors like Mario Bava and Jacques Tourneur.

I asked Scorsese about these influences when I spoke with him at last weekend's press conference for Shutter Island in New York City.

Scorsese first addressed my question about his bold use of color in the film, which is very reminiscent of the work of Mario Bava and creative progeny like Dario Argento.

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